Installation View

Installation View

Installation View

Installation View

Installation View

Installation View

KIM1995

Technologies instead of physical displacementMilan 2018. 4,36 tons
2018
Print on paper, PVC, acrylic and MDF.
45 cm x 32 cm

KIM1995

Technologies instead of physical displacementMilan 2018. 4,36 tons
2018
Detail

KIM1995

Immobility is SustainableMilan 2018. 4,36 tons
2018
Print on paper, PVC, acrylic and MDF.
45 cm x 32 cm

KIM1995

Do you really need to fly to talk with your colleagues?Milan 2018. 4,36 tons
2018
Print on paper, PVC, acrylic and MDF.
45 cm x 32 cm

 

KIM1995

Tubular chair, Italy ’80s, modified by Andrea and Davide, KIM1995 claim stickers, Milan, 2018. 4,36 tons.
2018
approx. 82Cm x 44cm x 52cm

KIM1995

Nardi chair modifified by Andrea and Davide, KIM1995 claim stickers, Milan, 2018. 4,36 tons.
2018
Approx. 90cm x 57cm x 44cm

KIM1995
Found stool, modified by Luca, KIM1995 claim stickers,
Milan, 2018. 4,36 tons.
2018
approx. 48cm x 30cm

KIM1995

Fabric chair, modified by tappezzeria Sartor Orlando and Davide, KIM1995 claim stickers, Milan, 2018. 4,36 tons.
2018
Approx. 81Cm x 45cm x 45cm

KIM1995

Fabric armchair, modified by tappezzeria Sartor Orlando and Giorgio, KIM1995 claim stickers, Milan, 2018. 4,36 tons.
2018
Approx. 68Cm x 71cm x 58cm

KIM1995

Wood chair, Italy ’60s modified by Andrea and Sara, KIM1995 claim stickers, Milan, 2018. 4,36 tons.
2018
approx. 80Cm x 41cm x 39cm

Caribbean Design
KIM1995

18/12/2018 – 22/01/2019

Castiglioni is pleased to present “Caribbean Design” the first exhibition of young caribbean artist, under the pseudonym of KIM1995 (b. 1995 Saint Kitts and Nevis).

KIM studied at Ruskin School of Art in Oxford, before going back to Basseterre where she actually lives and works.

Her work focuses on “Sustainable Immobility” concept, in that the non-displacement of an object or a person does not produce CO2 emissions.
Artist’s work, between activism, art and design, suggests stronger links to local cultures, while at the same time encourages our connections to others beyond any geographical divide by means of technologies, instead of physical displacement.
The exhibition consists of a series of chairs – as a metaphor for concept of immobility – and claims referring to it.
All the elements in the exhibition have been modified or made from scratch by local artisans according to the directives of the artist who oversaw the entire production process remotely from her home in Basseterre.
The titles of the works refer to people who have produced the objects, local companies and CO2 emissions saved.