Installation View

Installation View

Installation View

Installation View

Installation View

Installation View

Installation View

Adriano Costa
PalhaçoBranco PalhaçoPreto / PCL politicadocafécumleitche / self-portrait as 2 different clown, clowns anyway, 2019
acrylic and pigment on paper

Adriano Costa

” Ho completato il mio dottorato di ricerca in sostenibilità in Francia”, 2019
Dust, sink plunger poison, hair, glue, and resin on plastic

Adriano Costa

MilanoDisko or U R M Katastrophé, 2019
Acrylic on garbage bags, paper and artist’s clothes
200 x 122 cm

Adriano Costa

MilanoDisko or U R M Katastrophé, 2019
Acrylic on garbage bags, paper and artist’s clothes
200 x 122 cm

Adriano Costa

MilanoDisko or U R M Katastrophé, 2019
Detail

Adriano Costa

“Mário, I just met Him / Good Sex – perks of gender fluidness !”, 2019
Acrilic on objet trouvé
51,5 x 48 cm

Adriano Costa

“Save the Amazon Italian Design Chair “ , 2019

Adriano Costa

“Go Tesco”, 2019
Marker pen , adhesive tape , adhesive , and a conversation I had with the artist Thomas Jeppe about a trip to Tel Aviv by WhatsApp on a poster from the Orient Express Train .
97,5 x 61 cm

Adriano Costa

“Intervention on star old picture “. 2019
C-print and marker pen
42,2 x x30 cm

 

Adriano Costa

“SamsaraClub” , 2019
drawings from 1986 to 2006 , glue , acrylic paint , mounted in wood
122 x 200 cm

Adriano Costa

“SamsaraClub” , 2019
Detail

Adriano Costa

“saia Puta” , 2019
acrílic on fabric and towel mounted in wood panel
86,5  x 54,5 cm

Adriano Costa

“2Bros, Holanda do Sul”, 2019
mixed media on wood
20 x 25 cm

Adriano Costa

“CAVALGADA”, 2019
styrofoam cutting table, styrofoam, paspatur, broken chinese cellphone, painted miniatures,
lamps, architectural mockup objects, broken russian clock.
135 x 35 x 36 cm

Adriano Costa

“CAVALGADA”, 2019
Detail

Adriano Costa

“CAVALGADA”, 2019
Detail

Adriano Costa

“Any toast?”, 2019
fabric.
Ambiental dimensions

Adriano Costa

“Poem to a Dead Systema – allegro ma non troppo”, 2019
ballpoint pen on paper
29.5 x 21 cm

Adriano Costa

“Cúrcuma and Vomit” , 2019
turmeric and vomit on napkin
40 x 40 cm

Adriano Costa

“Make it South”, 2019
ballpoint pen on paper
29.5 x 21 cm

Adriano Costa

“Poem to a dead family”, 2019
mixed media
29.5 x 21 cm

Adriano Costa

“Espetáculo sobre O Ordinário or something like this” , 2019
mixed media
29.5 x 21 cm

Adriano Costa

“Um Agamemnon”, 2019
iPhone packing
21 x 29.5 cm

Adriano Costa

“A pesca da Cavaquinha”, 2019
ballpoint pen on styrofoam packing of fish mounted on
moldy mirror
29.5 x 21 cm

Adriano Costa

“Marina”, 2019
tempera on styrofoam, cardboard background
29.5 x 21 cm

Adriano Costa

“Feito com Sangue e Azul”, 2019
ballpoint pen, pastel, pigments, tempera and blood on monthly bill sheet
29.5 x 21 cm

Adriano Costa

“ a Memorial / a Lake / a Question / my Patience / my Trousers or From
Here to No Where “ , 2019
pen and acrylic on wrapping paper, artist’s pants, artist’s friend stickers,
mounted in plastic on wood
75 x 106,5 cm

Rock Whore Show 3 
Adriano Costa

25/09/2019 – 15/11/2019

CASTIGLIONI is pleased to present “ROCK WHORE SHOW 3”, the first show with the gallery by Adriano Costa. 

Provoking a tension between humor and political issues and exposing the nuances of cultural value systems over the object, Adriano Costa choreographed his works so that they achieve a kind of movement. 

They do not point a rule or define ideas, performing a sort of neutrality. The artist relates unlikely varieties of materials such as concrete, paper, bronze, cloth, wire, wood, among countless others and diverse formats and scales. He references periods in the history of Brazilian art – culture, suburban or elitist – not ignoring the influence of the North hemisphere on it. 

Much more about reality, relying on tragic irony than on originality within the process of its creation, Costa tensioned a reflection on the real value of the work of art, addressing the question of how ordinary materials or even noble materials can be transmuted into an art object and vice versa. 

ADRIANO COSTA (1975, São Paulo) lives and works in São Paulo, Brazil. 

His solo exhibitions include: 

wetANDsomeOLDstuffVANDALIZEDbyTHEartist, Kölnischer Kunstverein, Cologne (2018); B A I L E, Instituto Tomie Ohtake, São Paulo (2018); DearMeatCutsDevilMayCry, David Kordansky Gallery, Los Angeles (2016); Every Camel Tells a Story, Mendes Wood DM, São Paulo (2015). 

Additionally, his work has been included in institutional group exhibitions as Everyday Poetics, Seattle Art Museum, Seattle (2017); Frucht & Faulheit, Lothringer13 Halle, Munich (2017); IMAGINE BRAZIL, Astrup Fearnley Museet, Oslo & Musee D’Art Contemporain de Lyon, France (2014).